Vivaldi Concerto Grosso

The Choreography of Lew Christensen


Lew Christensen was one of America's most important dancers and choreographers. Credited as being this century's first great American-born danseur noble, he was also the creator of over one hundred and ten ballets, several of which are recognized as seminal works in American dance history. Christensen was a principal dancer and ballet master with Ballet Caravan, The American Ballet, Ballet Society, the New York City Ballet, and, most significantly, Artistic Director of San Francisco Ballet from 1951 until his death in 1984. Christensen's ballets are acclaimed for their craft, musicality and wit. His choreography shrewdly yet effortlessly blends the classical legacy with an innate American liveliness. Christensen's ballets are in the repertory of major companies in the United States including San Francisco Ballet, the New York City Ballet, and the Joffrey Ballet.

This site is intended to be the primary on-line resource for information about the choreography of Lew Christensen. The choreography of Lew Christensen is the property of the Christensen Trust, Timothy Duncan trustee.


Photograph: Kathleen Mitchell and Jais Zinoun in the San Francisco Ballet performances of Christensen's Vivaldi Concerto Grosso (1994). Photo by Lloyd Englert.


















Biography of Lew Christensen

  • Lew Christensen: An American Dance Legend


    The Choreography of Lew Christensen

    Information about individual ballets by Lew Christensen.

    • Con Amore (1953) A comic masterpiece, Con Amore is Christensen's most popular and widely performed ballet.

    • Filling Station (1938) One of the classics of American ballet--the first ballet danced by an American company, based on an American theme, with music and designs by American artists.

    • Four Norwegian Moods (1976) A charming and lyrical duet choreographed for San Francisco Ballet dancers Susan Magno and Keith Martin. Four Norwegian Moods was performed as part of the New York City Ballet's 1999 Stravinsky Festival.

    • Il Distratto (1967) One of Christensen's most popular and enduring ballets, Il Distratto is a brilliant combination of classical dance and Christensen's famous wit.

    • Jinx (1942) Dramatically dark and haunting--superstition is the central theme in Christensen's classic one-act ballet.

    • Nutcracker (First complete production by Lew Christensen 1954, revised 1967, 1986) Lew Christensen's Nutcracker has been performed annually by San Francisco Ballet for nearly half a century and has been seen by more than half a million audience members at San Francisco's War Memorial Opera House. Christensen's Nutcracker has been aired on national television and portions of the choreography have been performed world-wide as part of San Francisco Ballet's historic State Department tours. The Nutcracker, first staged in America by Willam Christensen as a modest holiday presentation, has today become an annual tradition performed by over 150 ballet companies across the country making it the most widely seen ballet in the dance repertory.

    • Vivaldi Concerto Grosso (1981) Christensen's final work, his most eloquent and lucid choreographic creation.

    • NEW! Beauty and the Beast (1958) The moral reads "Beauty is only skin deep." So, this ballet says, is beastliness. One of the most widely acclaimed works from the San Francisco Ballet repertory.

    • NEW! Don Juan (1973) Breathtaking sets and sumptuous costumes provide the background for the dashing swashbuckler and his encounters with maidens, foes and his eventual demise.

    • NEW! Shadows (1961) A ballet about isolation-- an intimate work for six women and five men created for San Francisco Ballet's 1961 summer workshop series.

    • NEW! Scarlatti Portfolio (1971) Christensen's classic blend of wit and humor with the grace and beauty of classical dance.

    • NEW! Divertissement d'Auber (1959) Showcasing the technique of classical ballet at its peak, the form and movement of Divertissement d'Auber runs the gamut of the dancer's virtuoso vocabulary.

    • NEW! Airs de Ballet (1971) A jewel of classical charm and perfection choreographed for New York City Ballet principal dancer Violette Verdy.

      Information about the following Christensen ballets will be available soon:

    • Baiser de la Fee (1977)

    • Beauty and the Shepherd (1954)

    • Caprice (1959)

    • Charade, or The Debutante (1939)

    • Cinderella (1973)

    • Danses Concertantes (1959)

    • Fantasma (1963)

    • Le Gourmand (1951)

    • Jest of Cards (1962) Christensen's 'existential' ballet with a score by Ernst Krenek.

    • Lady of Shalott (1958)

    • Life: A Do It Yourself Disaster (1965) America's first "pop-art" ballet.

    • Lucifer (1965)

    • Original Sin (1961) Provocative, and distinctly American in its treatment, Original Sin is choreographed to a commissioned score by John Lewis and the Modern Jazz Quartet with a libretto by San Francisco beat poet Kenneth Rexroth.

    • Variations de Ballet (1960)

    • and many more


    Performances

    Some recent and upcoming performances of ballets by Lew Christensen.

    • NEW! January 29 through February 9, 2008, San Francisco Ballet, Filling Station, War Memorial Opera House, San Francisco. Ticket information: (415) 865-2000.

    • February 15-18, 2007, Ballet San Jose Silicon Valley. Il Distratto. San Jose Center for the Performing Arts, 255 Almaden Blvd in San Jose. Box Office: (408) 288-2800.

    • May 6 through 9, 2004, Ballet San Jose Silicon Valley. Vivaldi Concerto Grosso. San Jose Center for the Performing Arts, 255 Almaden Blvd in San Jose. Box Office: (408) 288-2800.

    • November 28 through December 28, 2003, San Francisco Ballet, Nutcracker, War Memorial Opera House, San Francisco. Ticket information: (415) 865-2000. Lew Christensen's Nutcracker has delighted audiences for nearly half a century.

    • November 13, 14, 15, 2003, Barnard College/Columbia University. Con Amore Barnard Dances at Miller Theatre Presents Three Modern Classics and One Premiere. Barnard Dances at Miller will feature ensemble works by four major choreographers. Con Amore, created by Lew Christensen with music by Gioacchino Rossini, will be staged for 18 dancers by original cast member Virginia Johnson. The work was first performed by the San Francisco Ballet in 1953 and is about love as depicted in 19th-century European engravings. The Miller Theatre is located on the Columbia University campus at 116th Street and Broadway. Tickets are $10 ($5 for senior citizens and holders of a Columbia University I.D.). For ticket reservations, call the Miller Theatre box office at 212 854-7799. For press information contact Sandra Velásquez at 212-854-2995, svelasqu@barnard.edu.

    • April 29, 30, May 2, 4, 8, and 10, 2003, San Francisco Ballet, Jinx, War Memorial Opera House, San Francisco. Ticket information: (415) 865-2000.

    • January 29, 2003, San Francisco Ballet, Four Norwegian Moods and Divertissment d"Auber, War Memorial Opera House, San Francisco. Ticket information: (415) 865-2000.

    • November 8, 9, and 10, 2002, Oakland Ballet, Four Norwegian Moods, Paramount Theatre, Oakland. Ticket information: (510) 286-8914. .

    • September 13, 14, and 15, 2002, Oakland Ballet, Jinx, Paramount Theatre, Oakland. Ticket information: (510) 286-8914. The 1999 performances of Jinx by the Oakland Ballet were the first of a Lew Christensen work by a Bay Area company other than San Francisco Ballet. The performances were also nominated for the 1999-2000 Isadora Duncan Dance Award for outstanding achievement in restaging.

    • May 13-22, 1999, New York City Ballet, Four Norwegian Moods, New York State Theater, New York. The New York City Ballet presented four performances of Christensen's Four Norwegian Moods as part of the company's 1999 Stravinsky Festival. Four Norwegian Moods was also performed as part of New York City Ballet's 1982 distinguished Stravinsky Centennial celebration. Danced by Helgi Tomasson and Nichole Hinkla, Four Norwegian Moods was the only work by a choreographer outside of New York City Ballet to be represented at the festival.

    • March 9-20, 1999, San Francisco Ballet, Con Amore, War Memorial Opera House, San Francisco.


    Resources

  • SFPALM The San Francisco Performing Arts Library and Museum. The official repository of documents, photographs, articles, news clippings, videos, films, and personal papers of Lew Christensen. The complete listing of the Lew Christensen Collection will be available on-line in the near future.

  • The New York Public Library for the Performing Arts The Dance Collection of The New York Public Library is the largest and most comprehensive archive in the world devoted to the documentation of dance. The Dance Collection has substantial holdings from the career of Lew Christensen including: photographs, articles, video tapes, films, costume designs, and news clippings.

  • San Francisco Ballet


    Reference

  • Bibliography Books, articles, videos and other information about Lew Christensen and the Christensen brothers.

  • NEW! Striving for Beauty: A Memoir of the Christensen Brothers' San Francisco Ballet. Striving for Beauty takes place during the Christensen Brothers era of the San Francisco Ballet. The Prologue ends with Willam presenting the first full-length Nutcracker in America in 1944. Sally Bailey, one of the Company's future ballerinas, enters Harold's School here, and through her eyes we see the growth of the Company and herself, including; Willam's departure, Lew's ascendance, Balanchine's influence, and the historic State Department tours to the Middle East and Asia in the 1950s. She also gives her perspective on issues--both personal and artistic-that dancers face. A short Epilogue carries San Francisco Ballet history forward to today. Published by Xlibris

  • The Christensen Brothers: An American Dance Epic Information about the book by Debra Sowell. The Christensen Brothers: An American Dance Epic is an in-depth and scholarly chronicle of the lives of Willam, Harold, and Lew Christensen and their pioneering careers in American dance.


    Links


    For further information about the choreography of Lew Christensen including performance licenses write to: The Lew Christensen Trust, 2780 Concord Way, San Bruno CA 94066.


    © 2001 The Lew Christensen Trust, Timothy Duncan, trustee